I
must confess: I have read
several books by Jennifer McMahon and my opinions on them have ranged from
compelling (Promise Not to Tell) to befuddling (Don’t Breathe a Word). I am happy to say that The One I Left Behind was closer to Promise Not to Tell territory, but it did not quite live
up to my enjoyment of that book.
Reggie is a typical 13 year old girl
who likes hanging out with her friends Tara and Charlie. Her mother, Vera, is a beauty who had
limited success in a hand cream advertisement, but never made much of a splash
in Hollywood circles. Reggie
hangs out in a tree house, experiments with dark habits (like cutting), and
fantasizes about boys.
A serial killer becomes active in
Reggie’s town. He is dubbed
Neptune and his methods are similar each time he strikes. He leaves the severed hand of his
female victim on the steps of the local police station. Five days later,
the body of the woman is left somewhere in town. While this has the town understandably
in an uproar, it becomes very personal to Reggie when her glamorous mother is
taken. Her hand appears on
the steps of the police station. But
her mother’s body never appears.
Flash forward 20 years or so. Reggie is a successful architect,
specializing in “green” buildings, when she gets a call. Her mother has been located
alive. For the past two
years, Vera has been in a homeless shelter, and she is now dying from
cancer. She mostly mutters rhymes and riddles that don’t make
sense. Reggie, who was fascinated with the Neptune case as a child, now
seeks to find out the answers about what happened to her mother.
Tara, Reggie’s childhood friend and
confidante, reappears to serve as Vera’s nurse. The relationship between Tara and
Reggie is strained because of an event that occurred when she was a
teenager. But when Tara
also disappears, Reggie has even more of an impetus to act.
One thing that McMahon does well is to
create a spooky place. There
always seems be something off about the settings in her novels. The One I Left Behind is no exception. The family home is weirdly called
Monique’s Wish. I don’t
remember why, but that sort of “offness” (for lack of a better term) lead to
unease.
I did find the same weakness in this
novel that I also found in Don’t
Breathe a Word. Some of
the characters in McMahon’s novels are not just memorable—they are downright
strange. Not in the sense
that a guy cutting off women’s hands is strange. That is supposed to be weird. But the supporting cast in this novel
is full of misfits and weirdos. It
seems that the only normal people around are the police chief and Regina’s
boyfriend. It leaves me
feeling that this “world” that McMahon has created is not full of reliable
people. It feels
unrealistic and I find myself unable to discern the motives, intents, and
thought patterns of nearly all of the characters. A little of this goes a long way, I
think. I get frustrated
when it seems every character has some weird fetish or ideas.
I did not guess who the bad guy was,
but frankly, there is a limited cast of characters, so it was not that
difficult to narrow down the suspects. (Don’t
rely on me to gauge how difficult it was to guess the villain. I could not
guess who-done-it when I was in second grade reading Encyclopedia Brown, and I still
cannot.) And I am still not sure that I understand the motivation for the
killings. Yes, I know that
a killer is not supposed to make sense. But,
on some level, he is if he is fictional, and I guess I didn't buy the reason
that Neptune gave as his motivation. In the end, I did enjoy this novel,
but with some reservations. Recommended
to fans of atmospheric thrillers.
*I received a copy of this book in exchange for an honest review. Regina
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The old grey donkey, Eeyore stood by himself in a thistly corner of the Forest, his front feet well apart, his head on one side, and thought about things. Sometimes he thought sadly to himself, "Why?" and sometimes he thought, "Wherefore?" and sometimes he thought, "Inasmuch as which?" and sometimes he didn't quite know what he was thinking about.
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